Anchors
| Anchor text | Ref. domains ▾ | Top DR | Ref. pages | Links to target | Dofollow links |
|---|---|---|---|---|---|
| Arts of the Working Class | 12 | — | 0 | 90 | 90 100% |
| 5 | — | 0 | 371 | 371 100% | |
| ARTS OF THE WORKING CLASS | 2 | — | 0 | 2 | 1 50% |
| Arts of the working class | 2 | — | 0 | 4 | 4 100% |
| https://artsoftheworkingclass.org/text/law-law-land-1 | 2 | — | 0 | 2 | 2 100% |
| https://artsoftheworkingclass.org/text/motherhood-at-the-edge-of-a-collapsing-world | 2 | — | 0 | 2 | 2 100% |
| Pauł Sochacki, Dalia Maini | 1 | — | 0 | 1 | 1 100% |
| Paul Kolling: Strukturversagen | 1 | — | 0 | 1 | 1 100% |
| arts of the working class: those that slip among molecules | 1 | — | 0 | 1 | 1 100% |
| statement | 1 | — | 0 | 1 | 1 100% |
| www.artsoftheworkingclass.org | 1 | — | 0 | 1 | 1 100% |
| 1 | — | 0 | 1 | 1 100% | |
| “History, Vitality, and Glitches, Arts of the Working Class,” April 2023 | 1 | — | 0 | 1 | 1 100% |
| WEBSITE | 1 | — | 0 | 1 | 0 0% |
| 知己知彼: A Ritual Tookit […] | 1 | — | 0 | 1 | 1 100% |
| Does Marxism even Matter? | 1 | — | 0 | 1 | 1 100% |
| Read more | 1 | — | 0 | 36 | 36 100% |
| resistant | 1 | — | 0 | 1 | 1 100% |
| "The Landlord is Coming." | 1 | — | 0 | 1 | 1 100% |
| { "sizes" : {"medium":{"file":"LOGO-Pure-transparent-300x73.png","width":300,"height":73,"mime-type":"image\/png","filesize":8011},"large":{"file":"LOGO-Pure-transparent-1024x248.png","width":1024,"height":248,"mime-type":"image\/png","filesize":35853},"medium_large":{"file":"LOGO-Pure-transparent-768x186.png","width":768,"height":186,"mime-type":"image\/png","filesize":24625},"small":{"file":"LOGO-Pure-transparent-440x106.png","width":440,"height":106,"mime-type":"image\/png","filesize":12483},"semi":{ | 1 | — | 0 | 3 | 3 100% |
| Re-Writing the Future: The Tanta Museum of White History | 1 | — | 0 | 7 | 7 100% |
| What is Socialism? | 1 | — | 0 | 1 | 1 100% |
| Do you believe in life after oil? | 1 | — | 0 | 1 | 1 100% |
| arts of the working class | 1 | — | 0 | 1 | 1 100% |
| ➚ | 1 | — | 0 | 1 | 1 100% |
| Where Is The Kinky Journey Leading To? Arts Of The Working Class, 09/2024 | 1 | — | 0 | 1 | 1 100% |
| <img src="https://a-desk.org/wp-content/uploads/2025/01/AWC-logo-blanco.png" alt="" /> | 1 | — | 0 | 153 | 153 100% |
| Art of the Working Class | Do You Believe in Life After Oil? by Ben Livne Weitzman | 1 | — | 0 | 1 | 1 100% |
| Notes from the Azores. A curated weekend towards an upcoming edition of Walk&Talk, opening September 2025 press / Arts of the Working Class | 1 | — | 0 | 1 | 1 100% |
| Inside a Dark Store,’ | 1 | — | 0 | 38 | 38 100% |
| Arts of the working Class | 1 | — | 0 | 1 | 1 100% |
| https://artsoftheworkingclass.org/event/bogiaisso | 1 | — | 0 | 1 | 1 100% |
| ︎Arts of the Working Class | 1 | — | 0 | 1 | 1 100% |
| http://artsoftheworkingclass.org | 1 | — | 0 | 2 | 2 100% |
| Arts Of The Working Class Eli Cortiñas' show “The Machine Monologs – Part I: The Storm” at Fotografiska Berlin is featured in Arts Of The Working Class' round-up of Berlin Art week! | 1 | — | 0 | 31 | 31 100% |
| Mutual Aid | 1 | — | 0 | 1 | 1 100% |
| Museo Histórico y Artesanal La Pila: un manifiesto, Arts of the Working Class. | 1 | — | 0 | 1 | 1 100% |
| null | 1 | — | 0 | 2 | 2 100% |
| Arts of the Working Class, June | 1 | — | 0 | 2 | 2 100% |
| "The Landlord is Coming" | 1 | — | 0 | 1 | 1 100% |
| it was said | 1 | — | 0 | 1 | 1 100% |
| Interview with Arts of the Working Class, November | 1 | — | 0 | 2 | 2 100% |
| https://artsoftheworkingclass.org/text/art-critique-as-midwifery-of-a-shifting-consciousness | 1 | — | 0 | 1 | 1 100% |
| No Artist Left Alive | 1 | — | 0 | 2 | 2 100% |
| Issue 15: DECOLOMANIA | 1 | — | 0 | 2 | 2 100% |
| говорилось | 1 | — | 0 | 1 | 1 100% |
| Art of the Wotking Class, Berlin Art Week Issue, September 2024 | 1 | — | 0 | 1 | 1 100% |
| Read the original article here. | 1 | — | 0 | 1 | 1 100% |
| here | 1 | — | 0 | 1 | 1 100% |
| Interweaving 交织 | 1 | — | 0 | 1 | 1 100% |
Frequently Asked Questions
What anchor texts are used to link to artsoftheworkingclass.org?
This page shows all anchor texts found in backlinks pointing to artsoftheworkingclass.org, sorted by the number of referring domains using each anchor. Anchor texts range from branded terms (like the domain name itself) to keyword-rich phrases that describe the linked content. The distribution of anchor texts reveals how other websites perceive and describe artsoftheworkingclass.org.
What is anchor text?
Anchor text is the visible, clickable text in a hyperlink. Search engines use anchor text as a signal to understand what the linked page is about. For example, if many sites link to a page using the anchor text "best running shoes," search engines infer that the page is relevant to that topic. Anchor text appears in several forms: exact-match (contains target keywords), branded (uses the company or domain name), generic (like "click here"), and naked URLs.
Why is anchor text analysis important for SEO?
Anchor text analysis helps identify potential SEO risks and opportunities. A natural backlink profile has diverse anchor texts including branded terms, generic phrases, and topic-relevant keywords. Over-optimization, where too many backlinks use the same exact-match keyword anchor, can trigger search engine penalties. Conversely, understanding which anchors drive the most authority (measured by referring domain count and DR) helps prioritize link building efforts.
How many unique anchor texts does artsoftheworkingclass.org have?
The anchor text report for artsoftheworkingclass.org displays all distinct anchor texts grouped by their hash. Each row shows how many unique referring domains use that anchor, the total number of links, and the dofollow percentage. A high number of unique anchors generally indicates a healthy, natural backlink profile with diverse link sources.